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As I mentioned in an earlier blog post, the podcast's examination of the role of the monster movie in the rise of Universal studios really caught my imagination and led me to buy and watch the first two Frankenstein films (1931 and 1935) as well as their loving comedy spoof, Young Frankenstein (1974). I wasn't disappointed, and would recommend you picking up a copy of either, as well as either of the many other Universal horror films examined during the podcast. It was a great listen, and really got me through the bum-numbing journey there and back. Harking back to Hollywood's golden era, and the films and stars that built a studio, the episode was brilliantly engaging and excellently presented. Rather than jumping from one film to the next, it does so by telling a story. From the birth of Universal studios and the lives of those involved, I couldn't help but be fascinated by it all. So much so in fact that I spent my Halloween this year at a special screening of the Spanish version of Universal's Dracula, 1931. Filmed overnight on the same sets as the US version for a Spanish audience, the crew would watch the dailies from their American counterparts and attempt to better it. Subsequently, their slicker turnaround time and innovative camera shots resulted in a version that is widely considered superior to the more famous version of the same year.
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A few weeks later when I had another long journeys to make, I immediately went straight back to the same podcast and downloaded the follow up: The Adventures of Alfred Hitchcock. The three episodes clocked in at around 15 hours, but it was worth every minute again. I was already a big fan of the director going in to the podcast. My mum had sat us down to watch Dial M for Murder (1954), and I was always interested in the idea of having to spot him in each of his films when I was younger. Eventually I saw 1960's Psycho and have always thought of that as one of the best horror films ever made. Vertigo (1958), The Birds (1963), Rear Window (1954), Strangers On a Train (1951), North By Northwest (1959) and the technical audacity of Rope (1948) each blew me away , and Hitchcock immediately became one of my favourite directors. His revolutionary way of shooting films, and his technical tricks were fascinating to listen about (and if the idea of that alone interests you, I recommend you watch the man talk at length about it himself in the 2015 documentary: Hitchcock/Truffout). The genius of his direction is certainly explored in The Secret History's of Hollwood's podcast, but equally so was the dissection of the complex personality behind them all. Hitchcock was a notoriously strange man to work with, particularly if you were an attractive blonde female
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Weighing up how to get away with listening to the @moviehistories 'Blood & Bullets' podcast while at work pic.twitter.com/yVnpuSuuQj— Phil Cantillon (@philpotts89) November 1, 2016
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