Skip to main content

What Am I Reading?

I recently went on a bit of a splurge and bought a few books on film that. They have made great holiday and weekend reading, and each went about the topic of film and cinema in really different and interesting ways.

Filmish: Comic Book Essay on Film Theory by Edward Ross

Source

I hadn’t actually heard of this before I saw it in one of Manchester’s quirky Northern Quarter shops, and bought it on a bit of a whim. I couldn’t put it down for the rest of that day though. Edward Ross is a comic book artist, writer and illustrator. All of those skills come together in a fascinating and brilliant-looking journey through the history and themes of cinema. Ross uses comic style illustrations of popular films to tell the story of cinema from its birth to present day via themes such as power, ideology, technology, time and the body. The role a platform as powerful as cinema has to play in culture is impossible to ignore, and that is made crystal clear here.
Source
I found this really accessible, insightful and just a lot of fun to work through. I really liked how Ross appears in cartoon form, peeking out from famous movie scenes as if giving the best university lecture ever. It’s an extremely witty trip from Arrival of a Train at LA Ciotat (1896) and The Jazz Singer (1927) to The Matrix (1999) and The Fly (1986) via the genius of Charlie Chaplin, Steven Spielberg, Disney, and Buster Keaton. I was seriously impressed, so if you know me, expect this in your Christmas stocking. #sorrynotsorry

A Year of Movies – 365 Films to Watch on the Date They Happened by Ivan Walters


Source
Much like everyone else, got pretty excited on 21st October 2015. Back to the Future Day, or the day Marty McFly travelled forward in time from 1985, was accompanied by articles assessing how well the film did at guessing future technologies (oh for self-tying shoe laces though…) and a DeLorean turning up at Salford. Ivan Walter’s book allows you to get excited about every day of the year. Kind of.

For every date of the year, the book gives a couple of films that were set on that day. I’ll be honest and admit this isn’t a book I would want to read from cover to cover. It’s a lot of fun to flick through though and pick out important dates for you though. Frodo, Sam, and Gollum leave the hills and enter the Dead Marshes in The Lord of the Rings: The Towers (2002) on my birthday. The Adjustment Bureau (2011) is set on mine and Charlotte’s anniversary, and two days ago was 29th August, or Judgement Day in Terminator 2 (1991). Oh, and A Christmas Carol (1984) is set on 25th December. Who knew?? I’ve really enjoyed having it to hand when friends or family coming over and looking to see what movie is set on their birthdays or that particular date. The detail on the films themselves is really well written, and I’ve found it a good way to learn about films you may never have heard of otherwise.

The Movie Doctors by Simon Mayo and Mark Kermode

Image result for the movie doctors
Source
I’ve always been a really big fan of Kermode and his film reviews, and the chemistry he has with his 5Live radio colleague Simon Majo is always very entertaining. Both clearly know their stuff, and having read much of Kermode’s other books I was really excited when this was released. Again this is another book on my list that looks at film and cinema from an unusual perspective, and puts a clever twist on how and why to pick films to watch. Billed as the Movie Doctors, the two look to cure every ailment with prescriptions of film. It could be films to lighten your mood (The collected works of Richard Curtis apart from The Boat That Rocked), or put a dampener on it (The Mist, 2007). It details those films that will cause earache (Interstellar, 2014), films to avoid depending on your phobia, those to watch to make you feel like a better parent (Home Alone, 1990; Star Wars, 1977; and Carrie, 1976), and which of Tarantino’s films are most in need of a surgical trimming (Death Proof, 2007). I may not agree with everything Kermode says (it would be boring if you did), but these themes are interspersed with some of his fascinating knowledge and insight on cinema as a whole too. It’s as well written as ever, and I had a really good laugh picking through it.

“Where medical ignorance and movie expertise meet – the surgery of Doctors Kermode and Mayo is now open.”

The Film Buff’s Bucket List: The 50 Movies of the 2000s to See Before You Die by Chris Stuckmann
Source
One day I was trying to explain to Charlotte why Jaws: The Revenge (1987) was so bad. You would have thought I would have felt the need to stop at a story of a shark with a personal vendetta against a family, but no. I began scouring the internet and came across Chris Stuckmann’s ‘hilariocity’ review on YouTube. Since then I’ve really enjoyed working through his back catalogue of film reviews. He’s got a really approachable manner, the points he makes are accessible, and it’s clear he’s really passionate about what he’s talking about. His first ever book release is going to add to the hundreds of ‘best ever’ film list books, but this one focuses more on those released from 2000 onwards. The graphics for each film on every other page are great (I would love some on my wall), and the analysis is short, sweet and to the point. I like having it as a quick reference guide to those films you’ve seen over and over, and the full list at the back with space to fill in your own star rating is a nice touch. There aren’t too many surprises in the list, but it did find myself inspired to get hold of Spirited Away (2001) and Enemy (2013).

Comments

Popular posts from this blog

Don't Breathe (2016)

Source Directed by Fede Alvarez, Home Alone 6 Don’t Breathe stars Jane Levy, Dylan Minnette and Daniel Zovatto as three young burglars that pick the wrong house. Stephen Lang plays their apparent easy target: a blind man with a ridiculous Tom Hardy-esc voice, and hundreds of thousands of dollars in cash hidden in his house. Their new host manages to turn the tables though, and if you have seen the trailer you will know what I mean when I say that this is one of the most original concepts for a horror film I’ve seen in a long time. Source This was the third time my friend Eve and I had tried to go to see something together at the cinema. Hail, Caesar! (2016) didn’t happen when phone batteries and ridiculous traffic conspired against us, and The Usual Suspects (1995) didn’t happen when Odeon forgot to get the rights to show it! So when we found ourselves running nearly 30 minutes late in awful traffic again, we were close to giving up and banning each other from going a

Wonder Woman (2017)

Source You may have heard this already, but Wonder Woman is a bit good.  I've grown pretty tired of the superhero formula and constant revolving door of money machine films in similar packaging, but was really impressed with the freshness of Deadpool (2016) and in particular, Logan   (2017) .   One of my favourite YouTube subscriptions , Nerdwriter , analysed this evolution of the superhero genre in his most recent video and put it much better than I ever could - suddenly, it's an interesting time to be making a superhero movie again. Source Saying that, until the positive reviews began to stream in I was approaching the release of Wonder Woman with a fair bit of trepidation.   DC film have obviously been really disappointing, drab affairs of late.  Although I caught Man of Steel (2013) and Suicide Squad (2016), I'll admit that it's negative reception put me off sitting through over 3 hours of Batman vs Superman.  It's a shame as although Man of Steel w

Cineworld Unlimited Card Review

Source I love the cinematic experience – Despite my embarrassingly large DVD collection, there is nothing like the escapism of the immersive cinematic experience. Films are created with that experience in mind, not for those sat watching films on their laptops at home. I’ve been a Cineworld Unlimited card holder for over 5 years now, and I would recommend it to anyone. Today I have worked through the many benefits to owning the card that I’ve come across during that time. The experience isn’t perfect, and if you have ever been to any multiplex cinema you’ll know what I mean, but to have access to as many films as I like as often as I like is a total no brainer. If you like your movies the way they are meant to be watched, it’s the way to go. The Money – Is it Worth It? Source For £17.40 a month you have “unlimited” access to movies – as many as you like, as many times as you like. With ticket prices as expensive as they are, to make that worthwhile per month you would on